An examination of the practice and history of hand-drawn animation based on the tragic fate of Ludwig II.
EN
In his artistic work, Julian Irlinger uses various media - including sculpture, photography, drawing and film - to explore the intertwining of art and cultural macronarratives as well as their connection with the present and future. For his solo exhibition Verirrte Zeiger at the Kunstverein für Mecklenburg-Vorpommern in Schwerin, Irlinger uses the tragic fate of Ludwig II to examine the technique and history of hand-drawn animation and reflects on a process similar to the "Disneyfication" known from architectural sociology - the transformation of historical narratives and figures into affirmative pop-cultural entertainment and politically motivated rhetoric.
EN
In his artistic work, Julian Irlinger explores the entanglements of art and cultural macro-narratives, as well as their connection to the present and future, using various media-including sculpture, photography, drawing, and film. For his solo exhibition Verirrte Zeiger at the Kunstverein für Mecklenburg-Vorpommern in Schwerin, Irlinger examines the technique and history of hand-drawn animation through the tragic fate of Ludwig II. He reflects on a process similar to the "Disneyfication" known from architectural sociology-the transformation of historical narratives and figures into affirmative pop-cultural entertainment and politically motivated rhetoric.
Eröffnung / Opening:
11.04.2025, 19:00
mit / with Dinner, 20:30 (RSVP via info@kvmvsn.de)
Künstlerführung / Artist Tour:
12.04.2025, 12:00
Finissage / Closing:
08.06.2025, 15:00
