With this program, he wants to take his audience on a journey that penetrates into the borderlands of their own existence - relaxed and chilled, musical and reciting.
The title HATTA comes from one of his best-known TV and stage sketches and describes the male, heavyweight big mammal with foot odor and minor, lousy character flaws, marveling at a limousine that is priceless to him.
Olm has literally achieved everything: a certain virtuousness, humorous wisdom and solid steadfastness.
Hatta is a metaphor for self-confidence, resilience and the indispensable faith and acceptance of life as it is.
He is helped in this by a stoic guideline that says that it is not external circumstances that make us helpless and fidgety - and which we cannot influence anyway - but the mostly destructive interpretations of our thoughts about them.
His fans make pilgrimages to the theater stage temples and cheer the master of polished naughtiness. Olm makes no effort to please. It is pure and authentic. He cultivates qualities that are considered an anarchic art form in the positive sense of the word in today's round-sucked present.
He demonstrates that the Pavlovian reflex effortlessly overcomes all social barriers. Olm's performances contain an immense, life-changing energy.
Hatta? He has!
